Having taken the Eurostar from London to Brussels - a little disappointed that there was no fanfare when we entered the Channel Tunnel, though the time did suddenly change by an hour on the clock in the carriage - I hopped on the train to Ghent, where I'd rented an apartment for 5 nights.
First impressions at Ghent train station were not fantastic; I came down from the platform into the middle of what appeared to be a building site (looks like the station is undergoing some renovation work), and it took some searching to find the actual station and even more searching to find the tram stop into the centre of town (Tram 1). But once I arrived in the centre of Ghent I could see it was a beautiful city, with fantastic Medieval buildings,This was the apartment I'd rented out; it was beautifully done inside and looked out on one of the canals. Everything was very minimalistic - none of the cupboards had any handles, you had to push them to get them to open. In fact it was a bit too minimalistic - it took me a while to track down the fridge, then I couldn't find any cutlery! A text to the owner eventually established that they were hidden away in a drawer within a cupboard. D'oh!
I was delighted to find that, for some reason, BBC1 was one of the channels on the television, so I could watch the Wednesday night episode of The Apprentice and not have to avoid seeing who got fired for a week. “Allo, Allo” seemed to be on permanently on one of the other channels.A monument to the Van Eyck brothers, painters of the famous Adoration of the Mystic Lamb alterpiece, which is in the cathedral behind. It’s amazing the alterpiece still exists; in the 1930s one of the panels was mysteriously stolen and never recovered, and in Second World War the Nazis stole it and hid it in a salt mine near Salzburg (its recovery was told in the film The Monuments Men).
Inside the Basilica of the Holy Blood in Bruges. The church was a centre of pilgrimage in the Middle Ages, as it held (and still does) a crystal phial supposedly containing Christ’s blood. When I visited the phial was on display and you could go up and have a look at it, watched closely by a rather stern-looking priest. I went up but it was a bit hard to make out what was in the phial, just a few red specks. I blessed myself anyway, just to be on the safe side, and to keep the priest happy.
I remember this painting (Death and the Miser, by Jan Provoost) from “In Bruges”. I thought it was fantastic the way it had been done as two separate paintings (though when I looked it up later I discovered it was originally a triptych and the centre panel has been lost. When the triptych was closed it looked like this).
On Saturday I took the train to Ypres, to see the Menin Gate, the war memorial to British and Commonwealth soldiers killed here during the First World War (the Ypres salient was the scene of three major battles during the war, including Passchendaele).
This shop was near the memorial. Ypres was completely destroyed in the First World War, with hardly a building standing at the end. Everything there today had to be rebuilt.